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While The 8th Night offers some occasionally arresting visuals, with the devilishly grinning faces of the red eye's possessed victims particularly unnerving, Kim conjures up little atmosphere for what purports to be a supernatural chiller.Īs is too often the case in Korean genre fare, the past grievances and regrets of the main characters fight their way to the surface, demanding emotional reckoning and catharsis while distracting from the simple spooky pleasures promised by a film about sentient eyeballs from hell. The black eyeball has been hidden in a remote mountain monastery for centuries, until it is entrusted to young Cheongseok (Nam), who loses it almost immediately. In the present, a disgraced professor unleashes the red eyeball, which hopscotches from one human host to the next over a period of eight days en route to an apocalyptic reunification. The eyeball's origins go back 2,500 years, to the time Buddha ripped it and its black counterpart from the head of an all-powerful demon before hiding them on opposite sides of the Earth. The result is an often chaotic collision of tropes from police procedural and spiritual quest narratives, as both cops and curates alike chase a rampaging, disembodied red eyeball across the South Korean capital, Seoul. He uses elements of Buddhist shamanism to fill out the backstory of this otherwise fairly pedestrian demonic possession mystery, while positioning men of faith as reluctant action heroes more capable than the sceptical local police. Lee Sung-min stars as the dangerously unorthodox shaman Seonhwa, who is sought out by Nam Da-reum's young Buddhist monk to help stop an ancient demonic evil bringing about the end of the world, in this South Korean horror film streaming on Netflix.įirst-time writer-director Kim Tae-hyoung hopes to follow the success of recent horror films like The Wailing and The Divine Fury. But when the fate of all mankind is at stake, desperate measures are called for. Wielding prayer beads and a bloodied hatchet, the burned out exorcist anti-hero of The 8th Night is less a crusading warrior than he is an unhinged killer. “My First Client” opens in theaters in May.Lee Sung-min in a still from The 8th Night, directed by Kim Tae-hyoung and co-starring Nam Da-reum. “They are kids more than they are actors, so we had to be more careful,” Jang said. A therapist accompanied the children on the scene to keep a close eye on them, and Jang said he constantly assured kids after shooting “certain scenes” that it was all an act and fake. After I read the script, I felt that it is a story we need, one we need to know and something that someone has to tell,” he said.ĭealing with such tough subject matter, the production staff had to ensure that child actors would not be scarred by the filming. “I felt that Jeong-yeop’s life before he met the kids was similar to mine. Meanwhile, Lee Dong-hwi, an actor better known for comic roles, said he had to constantly ask himself, “What would I do?” in the film. I thought that I ought to participate,” she said, adding that saying and doing hideous things in the film was a painful experience.
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“It (the film) has a clear message for society, and as a mother myself, I know that a child feeds on a parent’s love. “I was actually thankful that I got to play such a role, and I had no hesitation in my answer,” Yoo said. Many turned down the role, but a couple of days later, Yoo Sun returned his call. When casting the role of the stepmother, the director faced the tough job of asking actresses to play a hateful human being. ” the director broke off, overcome with emotions, before continuing to say, “She just said, ‘Please make a good movie.’” She also talked about the future, and when I asked if she was all right, she.
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He shared how he met the victim of the incident - the girl who was abused and forced to confess to a murder. I don’t know if I could call it a ‘sense of duty,’ but I was doubly cautious.” “It deals with something that is far different from my other works, so I had to be more careful. “Unlike my previous works, there was the pressure that came from the subject matter,” the director said about his recent work during a press event in Seoul on Wednesday.